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Not Quite Anyone’s Tempo: Ashoka’s Music Room Woes
Ahead of Vistaar's 2025 iteration of Battle of the Bands, Tanisha Pandey (UG'28) reports on the deteriorating state of Ashoka's Music Room.
Tanisha Pandey
Mar 28


The Anatomy of the One-Woman Play: Maiyya
Giya Sood speaks to the team of Maiyaa, a one-woman play that was performed in Black Box on 13th February.
Giya Sood
Mar 12


Kabootar Chronicles: On Life at Ashoka
On any given day at Ashoka University, there is a chaotic blend of impending deadlines, spirited debates, and intellectual pursuits that mak
Maya Ribeiro
Feb 10


“Those Who Remain Silent Remain Alone…”: Confronting Mortality with Nikitin’s Essay on Dying
Boris Nikitin’s Essay on Dying is not a performance in the traditional sense. It is an intimate confession, a philosophical rumination and a
Noyonika Dutta
Feb 3


Review | The night we met Vistaar Mixtape!
As two first-years unfamiliar with the Vistaar Choir Showcase’s legacy, we approached it with interest and excitement, drawn in by the buzz


Review | Tattva: Dancing Through the Elements
The night of 28th November was filled with excitement as students rushed to see Abhinaya's, Ashoka University Dance Society’s, showcase.
Ananya Pendharkar
Jan 1


Drawing Conflict: What Does it Take to be Joe Sacco?
Joe Sacco, donning the signature detective-esque hat that you will not see him without, both in and out of his comics, came to the...
Giya Sood and Srijana Siri
Dec 17, 2024


Guest Feature| Unravelling Film at Ashoka with Dhagein
Tucked away in a cosy classroom on a cold November night, writer-director Vedika Khanna’s (ASP’25) film Dhagein, offered a welcome...
Sara Pandey
Dec 5, 2024


Review | Blue Roses and Broken Dreams: The Glass Menagerie
In The Glass Menagerie , memory takes centre stage as Tom, the protagonist, revisits the events of his life in a search for the origins...
Anusha Dhakal
Dec 2, 2024


Review | Khusrau, Krishna, and Kathak: Jo Dooba So Paar
A review of Jo Dooba So Paar: An Immersion in Kathak
Giya Sood
Nov 25, 2024
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