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Maya Ribeiro
Nov 11, 2024
The Uneasy Art of Revolution: Inside Professor Aparna Vaidik’s Writing Journey
A report on Professor Aparna Vaidik's on her journey with writing for Ashoka University’s Undergraduate Writing Program on 28 October, 2024.

Ananya Pendharkar
Nov 4, 2024
Han Kang’s The Vegetarian: A Review
For the first time, a South Korean author, Han Kang was awarded the Nobel Prize In Literature in 2024 “for her intense poetic prose that con

Soham Prasad and Rohan Wagle
Oct 28, 2024
Camille Claudel: Into the Fire – A Review
On October 18th, the Performing Arts Department hosted Pianist Nadine Jo Crasto and Counter-tenor Subin Mathai for a performance of...

Maya Ribeiro
Oct 19, 2024
Unmediated Sound: A Review
On October 15th, the Black Box Theatre at Ashoka University transformed into a quiet, intimate space for Unmediated Sound, a concert

Vidhu Mariam Cheriyan
Oct 9, 2024
Kafka-ed: Redefining the Traditional ‘Kafka-esque’
Ashoka University’s English and Creative Writing Departments hosted “Kafka-ed: A Symposium” to commemorate

Ananya Pendharkar and Giya Sood
Oct 1, 2024
For the Love of Writing: A Glimpse into First Word 2024
The Undergraduate Writing Programme (UWP) held the prize distribution ceremony for the third edition of their annual non-fiction essay

Rohan Wagle, Teista Dwivedi, Devadeepa
Sep 24, 2024
From Plate to Politics: The Question of Diversity in Ashokan Palates
Over the past few weeks, the sight of Ashokans standing in long queues for a cup of coffee from Blue Tokai has become fairly regular.


Noor Sabharwal
Aug 31, 2024
India's Evolving Translation Landscape: Insights from the Inaugural Bhashavaad Conference
Opinions Editor Noor Sabharwal (UG'27) reports on the inaugural Bhashavaad: National Translation Conference.

Giya Sood
Aug 30, 2024
Harnessing Privilege for Dissent: What Ashoka Can Learn from Arundhati Roy
Arts and Culture editor Giya Sood (UG'27) writes about what Ashokans can learn from Arundhati Roy in terms of privilege and dissent.

Reina Tayyibji
Apr 10, 2024
In Visibility
Reina Tayyibji writes about photographs, cameras, representation, and living with/as images, discussing the dynamics of power and visibility
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